“Intezaar”: Qabool Again
“Intezaar” is a 2022 Pakistani film that finds love in uncomfortable, but sometimes endearing ways in a story about an adult daughter and her elderly father accommodating her m
“Baaji”: Baji needs a break
The negative attention Meera get about not being able to keep up is implicated to be because of her age, where she directs her attention (and at times, an obsession) to making a n
“Load Wedding”: There is no price worth ignoring the value of your daughter
“Load Wedding” delivers social commentary through a blockbuster romcom in which one hopes its fatphobia entangled with its sporadic empowerment messaging is to showcase societa
“Moor”: Passivity in the face of corruption threatens to breed a lineage of immorality
“Moor,” with some subtlety, has the voice of my grandparents when they look at what has become of their Pakistan. It gives this sense that Pakistan was never given a fair chanc
“Mah-e-Mir”: Using film to see oneself
“Mah e Mir” does not feel like a product, but a journey in which the viewer watches the director speaking to himself.
“Zindagi Kitni Haseen Hay”: If the film centers Dodo, so should the parents
User ratings in general and from Pakistan are at 5.5/10. It’s not clear if it’s because the film tries to justify some reasons for proceeding with a separation or the reason fo
“Parey Hut Love”: Aesthetics should be the tie, not the bag
"Parey Hut Love": like a decent number of blockbusters, the dance numbers are enough and can be found on YouTube.
“Josh: Independence Through Unity”: Choosing to care is the first step
The film, “Josh: Independence Through Unity” supports everyone to participate in change, whether it is through giving or having the bravery to say a change should be made.
On “Lambi Raat”: A very long night for a short
A Pakistani film about a wedding night gone wrong.
On “Madyu’n”: Doing What it Takes to Survive
A poet just trying to survive.